Showing posts with label Goddesses. Show all posts
Showing posts with label Goddesses. Show all posts

Thursday, July 2, 2020

Nana Buruku, full moon, and lunar eclipse in Capricorn.


Full Moon / Nana Buruku

Sunday, July 5, 2020 / Full Moon in Capricorn
Penumbral lunar eclipse in Capricorn (1:52 AM)



The full moon is a time of fulfillment, culmination, and celebration of our achievements, the light of the full moon is here to appease, calm, and illuminate everything that escapes from the shadows.

This full moon of July 5, closes a cycle of manifestation that we opened six months ago with the new moon in Capricorn, this situation leads us to analyze in accurate detail, where you were six months ago, doing what, and where you visualize yourself from then until now?.

The full moon is at its climax, manifesting in our environment different ways to achieve all our goals, but also projecting externally, our fears and frustrations, it depends on you in what aspect you want to fully focus your vision, in the opportunities that are presenting, or in the obstacles that remain there, that will depend on you.

You can't appreciate the stars if there wasn't a dark night.
The same happens with your own light.

This full moon on July 5 is also a penumbral eclipse in Capricorn. As we have previously discussed, eclipses are the magical moment to meditate silently and inquire within ourselves, in order to bring the light of the eclipse to each one inside and illuminate everything that we want to eliminate, from the inside out.

That which you wish to illuminate, be it a situation, place or person, this is the time to do it, to evoke the light of the full moon and work in this situation, not from the external superficiality, but from within, from within the situation, from the root of any inconvenience around that situation.

It is time to sit down, put in writing all those obstacles that you are working on at the moment, and look for your solutions, but not easy or quick solutions, but true solutions that entail effort and good results.

Remember that this eclipse happens in the constellation of Capricorn, the sign that governs structures, order, discretion. Capricorn is not about opting for temporary solutions, it is about looking at the problem from another angle, looking to solve it from the root at all costs, trying with other points of view, studying where, when and how this “problem” originated and treating to fix the situation from there, from the root.


Trends and Benefits.


The moon in Capricorn is the right time to establish and review guidelines, documents, hierarchies, and structures. Good time to buy and build properties, focus on obstacles and problems that we have been dragging for some time, study how the home is being managed, and how to improve it.

During the transit of the moon in Capricorn, there is always a tendency to pessimism, anxiety, depression, emotional severity, self-centeredness, irritability and mistrust, beware of these aspects, if you feel this way, it is because your frequency is lower than adequate, and it is time to meditate and work from within.


Elemental magic


The full moon empowers all beings on the physical and metaphysical plane, it is time to work on our individual connection with various external worlds. Living beings reach their maximum energetic fullness with the full moon, and this allows them to manifest on the astral plane, the world of dreams, and other kingdoms. While the inhabitants of the spiritual world, use this energy to manifest or communicate, among the beings of our world.

It is a moon of the earth element, the magicians use this influential energy to work with the elemental spirits of the earth, these can vary in forms and names according to the tradition of each Country, but essentially the gnomes, the elves, the Nymphs, and in general the spirits that reside in the forests gain more strength in this cycle.


Nana Buruku.


Six months ago we began to perform a manifestation work with the new moon, under the divine guidance of Nana Buruku.

Nana Buruku (or Nanán Baruque) is a Yoruba deity and major Orisha, highly revered in Candomblé, the Haitian voodoo, and other esoteric Afro-Caribbean currents. It is the divinity of the drizzle, the mud, the swamps, and the mediator between life and death.

In Venezuela, Cuba, and Colombia, Nana is commonly associated with the cult of the moon in its different phases.

With this full moon, I would like to invite you to work on your intentions with the help of Nana, decorate a small altar or a sacred space at home or in the garden, with a small tablecloth, it can be white or blue, decorate it with candles (white, blue, pink), incense, white flowers, gold coins, fans, a glass with water and honey, a bowl with fresh fruits especially grapes and watermelon slices.

Any object or representation with the moon or with marine oysters on it will be welcome on this altar.

Nana Buruku is very attentive to the things that are asked of her, she always looks for the way to grant the wishes in an accessible way to her believers, she works from love to allow her followers to understand the lessons behind each obstacle, not from the strength, but from calm.

Write your wishes on paper and dip them in the honey water, let them rest in a bowl on this altar, after a few days collect the altar, throw the flowers and the remains of fruits in a nearby river, including the wishes for writing in this process.


Rainwater


I like working with white quartz from a very young age, and I have always sought to include it in most of my rituals, I feel that its energy is soft but powerful, subtle, adaptable, and easy to use.

Collect rainwater in a bowl or cauldron, add several small pieces of quartz to the water, and leave them there to stand for several days and nights, keep the container sealed to prevent dust particles from falling into the water.

This is an energy exchange process, the crystals and the water are exchanging energy with each other in a natural process. Make use of this consecrated water to bless and magnetize energetically, magic objects, amulets, and talismans. And make use of this quartz as amulets of protection and energy recharge.


Santa Ana


I have noticed that many of my readers identify themselves as Catholic, or are part of this faith if they wish, I invite them to work with Saint Anne, the mother of Mary and grandmother of Jesus. Santa Ana is considered in religious syncretism one of the forms of Nana Buruku or one of its manifestations (depending on the country and the religious path of each individual).

The festivities in honor of Santa occur throughout the month of July, mostly in Latin America and Europe, it is the saint of miners and pregnant women.

If for some reason you are not comfortable with the veneration of the divinity that is Nana, you can instead venerate Saint Anne. When you know where you are going, no matter what name you put on the road.


Online workshops and classes.


I take the immodesty, to leave you here the information about my next workshops and online courses, a little bit of self-promotion does not hurt anyone, especially when this is our job.

If you are interested in any of these, you just have to click on the link with the name of the class, to be redirected to the page where you can see the whole description of the class and set your ticket.


Clases y Talleres en espanol:

5 de Julio.
Taller de dos horas vía Crowdcast.
Costo del taller $40.

18 de Julio.
Taller de dos horas vía Crowdcast.
Costo del taller $40.


Workshop/Classes in English:

July 19.
(2) Two hours workshop, via Crowdcast.
Class cost $40

July 20
One hour class, via Facebook.
(more info soon)




Friday, June 26, 2020

Oshun (the river) and Yemaya (the ocean) Goddesses of Love and Luck.


Working and Venerating the Sister Goddesses of Africa, Oshun, the goddess of the river, love, and fertility, and Yemaya, the goddess of the ocean, fertility, and family.

Greetings and hugs to all the readers who walk around here (incredible, every time we are many more !!), today I am going to share in this post some information that may be useful to you about the Orishas of the waters, and how to work with them when You are not initiated in one of the corresponding Afro-Caribbean currents.

As promised earlier, I had this post saved waiting until our beloved Lilith Dorsey published her new book "Orishas, Goddesses and Voodoo Queens", to take it as a reference, but then I just forgot to post the post, Thanks Adriana for the reminder.



I would like to bore you a bit with all this “background” about coming from Venezuela, having grown up in the Amazon, having been initiated into the Candomble and the Lucumi way, 14 and 17 years ago respectively, but you can find all that in my biography, so here we get to the point, what you have come to.

The Orixas are (for lack of a better name) divine essences, spirits that incarnate different forces of nature and express themselves through them, they are enormously powerful, they come from Africa, as well as all of humanity (Thank you !!), and Although the Afro-Caribbean rites are mostly reserved for those who have been initiated in their corresponding ways, Candomble, Umbanda, Quimbanda, Lucumi, Yoruba, Ifa, etc..., It is not new that the Orixas always pay vital attention., even those who are not initiated, and if you doubt it, before answering, just try it, you will see the results, and you will be able to judge for yourself.

The Orixas are entities derived from a primordial deity "Oloddumare", below this post I will leave you the links corresponding to other posts that I have previously written about other deities of Africa and the Caribbean.

The Orixas or Orishas, ​​are forces of nature that influence humanity in all possible forms and aspects, we have as many Orishas as gods in the Greek pantheon, but the light always jumps to the group of the central Orixas (Xango, Yemaya, Oshun, Eleggua, Oya), here I am going to share some information about some of these Orishas, ​​who unlike others like Shango and Olokun, is certainly more "accessible" for those who have not been initiated.

Since I have given you a brief (incomplete) and clear introduction to the Orixas, here I leave you the links to each one, on each page I leave you a brief introduction to the corresponding Orixa and a couple of rituals that you can perform without having to enter in religion or without having been an initiate. They are simple rituals to do and do not require any elaborate preparation, I hope they serve you, put them into practice, and help you a lot.





Other similar posts you should read:



Tuesday, April 7, 2020

The Seated Goddess of Çatalhöyük

One of the faces of the Goddess: The Seated Woman of Çatalhöyük


Today we celebrate the second Super moon of this 2020 cycle, and with it, it is my second full moon since I entered (like many of you) in quarantine, so I have taken this day to reflect on the goddess and her thousands of different faces, a topic that we have already discussed here on the blog, as well as in my books and workshops.

One of the most mystical facets of the goddess is one of her oldest images, this one has always captivated my attention for two reasons.

  1. The first is that this incarnation of the goddess is so old that it remains distant from that modernist vision influenced by the "movement of the goddess" and highly feminist, as those who read me often know, I have nothing against it. Feminism, I simply believe that far from seeking equity, it focuses more on seeking preference, and only "solves" one problem by adding another.
  2. The second reason why I love this embodiment of the divine spirit of the Goddess is that it comes from what would be Turkey today, from the point of view of many historians and anthropologists of religion such as Ignacio Martinez Buenaga, Elif Batuman, Nicholas Birch, among others, this is the place where the first organized religions of humanity emerged.


The Statuette and its Origin.

The figurine called "Seated Woman of Çatalhöyük" is a fired clay statuette depicting a naked woman or mother Goddess, flanked on either side by two leopards or two lionesses, evoking the image and mythology of "The Master of Animals", a very common divine worship in Ancient Egypt.

This image was found in Çatalhöyük, an ancient settlement from the Neolithic and Chalcolithic periods, in Anatolia (present-day Turkey).

For discoverers and historians, this statuette is a symbol of fertility, due to the exaggerated members of the female figure, which is depicted in the process of giving birth while sitting on her throne. The statuette is one of several iconographically similar that have been found at the site.

The figure, barely twenty centimeters tall, is associated with the so-called "Paleolithic Venus", which represent the goddesses of the Upper Paleolithic period, and the female figure who was considered a sacred figure, as the creator of life and home.


Divinity.

During the Paleolithic period, the man did not build temples, he was more focused on protecting himself from wild animals and predators, so his way of venerating nature and its spirits was through small altars and portable statuettes, which he could carry seamlessly from one place to another.

Proof of this is the enormous number of statuettes of Venus that have been found in different sites around the world, these images symbolize their feminine features and exaggerated attributes, the figure of the mother goddess, the giver of life, fertility, and abundance.

Indo-European matriarchal society revered the mother goddess as a primordial essence of nature, while male divinities embodied the primordial hunter, animal tamer, and guardian of mountains and caves. The mother goddess embodied all the fruits and benefits of nature, from the moonlight on cold nights to the sweet waters of the river, the fruits and plants of the forest, and even the herbs that grew in the environment.


Conclusion

The Seated Woman of Çatalhöyük represents one of the oldest figures used by our ancestors to venerate the mother goddess, not only represents motherhood, femininity, and fertility, in the most beautiful of aspects, but also the feminine power that it reigned over a developing society, the feminine wisdom that acts from discretion, and the divine love that has been given to humanity for millennia.


Canalization

Celebrating the full moon of April, May, and June, we will carry out a channeling of this divinity, awakening its spirit from our homes with a joint meditation. Each of the next three full moons will take five minutes to tidy up and clean the place around us.

Burn a little incense and light a candle, close your eyes, visualize that crescent moon inside you that grows, throbs and lights with each slow and deep breath you take.

Visualize this moon growing within you, and once the full moon has manifested, open your eyes slowly, take a deep breath, and recite the following divine mantra three times, out loud and calmly:

“Kutsal tanrıça, uyan ve ışık getir.”

Followed by this, offer a personal prayer upon awakening from the goddess, invite her to wake up, walk to your home, invite her to come and fill the place with blessings, as well as all the beings who live there. And leave the light on for the rest of the night.


BLESSED BE.

 Copyright © 2015 by Elhoim Leafar De Jesus
ALL RIGHTS RESERVED.


Friday, November 8, 2019

Goddess Hecate


That Goddess Hecate,
before and after the
Queen Mother of all the Witches.



In a world of gods and social media,
who makes the most noise is the King... Or the Queen?


I have nothing, absolutely nothing against Hecate as a divinity worshiped by thousands (I begin to believe that thanks to social networks, perhaps millions), but as I am popular for saying what I think, and for writing it too, although they may be opinions Unpopular, I have no fear in writing something that many are thinking but refuse to share for fear of being almost exiled permanently from the metaphysical community.


Hecate, she's the bad girl in the class.

It is popular among men and women, its ambiguity, its triple character (and all of them quite dark in turn), its immense titles (which apparently has much more now than in ancient Greece itself), especially (and I repeat) this triple character as a dark goddess, lunar and infernal goddess, is clearly the bad girl in the classroom that everyone wants to be friends with, but yes, many forget that the bad girl in the class is not always as evil as she seems, and often ends up being another girl who doesn't feel pretty enough to be part of the cheerleading club, or smart enough to join the chess club, she feels ashamed, enough to refuse to enter the comedy club or of singing, and simply prefer to put on makeup, be the bulling of the school, and popularize among (obviously) the least popular, minorities, and all those who for one reason or another have felt discriminated against by society, you Does this sound familiar?

Yes, the description fits like a ring to the finger, and I have absolutely nothing against the goddess, quite the contrary, it is one of the deities that my favoritism has, perhaps it is because I began to adore her from a very young age when I read about her for the first time in an esoteric magazine in my native Venezuela (Ronda Magazine, March edition 1999), so after a while, it is natural that I don't think it's “the fashion wave”, I think that in a certain way I understood it after working so much with it, and with some coven of "Wiccan inspiration", so growing and learning more, it simply became a divine source in my little and very eclectic pantheon.


The Hecate of my youth

The first time I read about Hecate in that magazine, they mention her as “the Greek goddess of sorcery and the arcane, queen of the night and the witches”, accompanied by a couple of illustrations of her sculptures, and an extensive article on the popularity of this legendary goddess in the growing groups of modern witches of a city (by then entirely unknown to me) of San Francisco in the USA.

After having read the article a couple of times, so as a couple of rituals that accompanied him (one to get back at a lover and another to protect the home), I was quick to find information about Hecate in encyclopedias and dictionaries, I remember having memorized that Pope's illustrated dictionary said "Hecate: Greek goddess of sorcery, triple character, lunar, marine and infernal", while only vaguely mentioned in a couple of books of 'White Magic' and 'Wicca' of those that Mama keeps in her personal library next to the kitchen.

An encyclopedic book of Greek myths, gods and monsters, claimed that she was a wild goddess of Egyptian origin who would later have been worshiped by the Greeks and that her cult would have been transformed into something increasingly large. On the other hand, a couple of family members (Andres and Mary), both historians who had lived several years in Greece, seeing my fascination about the subject when I asked them about it, they only told me:

“The truth is, she had a cult in its time, but it was not as big as the books claim, it would have one or another temple, but at that time people were more focused on worshiping the gods of grain and commerce, or of vegetation and war, because they were subjects from day to day, homosexuality was not persecuted, rather it was quite acceptable, so a goddess like her would not really be revered by any minority who felt despised, and the priestesses more revered the cult of Aphrodite, Hera or Hestia, who they had more to do with the society of that time, if you compare it with the new times, Hecate was the equivalent to some local Santa of some church, if, of course, with many attributes, but in those times of war, where civilization was booming, it would not be as relevant, more than for some travelers who prayed at the crossroads to prevent danger, although most of these travelers were merchants, and they chose to pray to Hermes (god of travelers and commerce) or Athena (which had several temples and statues at the entrances of the most important cities).”

After that explanation I will not deny that I felt somewhat disappointed, although he insisted on keeping a couple of drawings that I made of her next to my altar (Gods! If that altar spoke! What would I not say?), This experience, or a very similar one it was repeated years later when I managed to read Hesiod's "Theogony", and the 1985 book written by Burkert, W. "Greek religion: archaic and classical", because while most of the magic and sorcery books of the moment insist in making Hecate looks like a kind of 'Saint patron of the mystical arts and sorcery, indomitable queen of the night and mother of all witches, and owner of dozens of attributes', the books of Greek history and paleontology, especially those written by well-qualified Greek authors and academics, they deny most of these attributes and explain it in quite interesting ways.

But it was my professor of 'psychology of marketing', Jonathan Alejandro Goncalves, during my third semester of marketing and advertising at the University, who once asked me about it for the realization of an essay (maybe later I tell you how this discussion arose because it is a much longer story), and finally, he concluded that the cult of Hecate was growing "at all mysterious" at this time and that it was something of common sense very easy to understand, she represented minorities, these minorities that for the Greeks were not important, minorities that today are news daily thanks to newspapers and social networks, but at that time, she was just one goddess outside the twelve Olympians, and today, many teenagers who feel "Out of place" or "not socially accepted" identify with it.

My conclusion in writing in that essay on ‘the evolution of marketing around certain religious figures’ was:


"While all other female deities represented the goods and pleasures idealized by Greek society, Aphrodite symbolizes love and beauty, femininity and acceptance of carnal pleasures, Athena symbolizes wisdom, the firmness of civilization, philosophy, understanding, and reasoning, Hera represented the complete and complete woman, lover, wife, and mother, also a queen of the heavens, and Vesta symbolized that wise, discreet, virginal woman who took care of the home and society, Hecate was On the contrary, it was not even Greek, it was a foreign deity that was passing through, a goddess who crossed the deserts and represented all that which the Greeks feared, such as contempt and social disrepute.

Hecate was a goddess who hid in the night, her temples had no signs with directions (unlike everyone else), her sacrifices were important, but they never became more important than those of Bacchus, the god of wine, or Ares, the god of war, his temples do not even have a decent decoration, only women who did not marry and were not virgins (so they could not be vestal virgins) will seek worship in it, as they were outside the socially accepted stereotype in the time, they were like Hecate, a minority woman to whom other gods refused to invite the festivities, she was not married, nor had children, but worse, unlike Athena, Vesta and Artemis, there was no great myth behind her virginity, she simply had no lovers, any poet could add that her lover was the night, or that she did not find pleasure in men, but for Greek society, where sensuality was as relevant as the art and philosophy, this would not be seen as something healthy, and it is quite strange coming from such an extravagant figure. ”


If you analyze it carefully, it represented not only the immigrant who arrives to conquer others with his hypnotic talents but also, was a sorceress, which would not be well seen by the priests and priestesses of other better-known deities, however, they existed a couple of myths that sought to enhance her divine image, such as the fact that she had taken care of Zeus in a cave when she was a child hiding from her father, and in that tradition where she is the mother of the witches Medea and Circe.

After this, Hecate served as a character in several heroic tales of the time, always represented as goddess of sorcery, from the middle ages she is seen as "mother of all the great witches and magicians", especially in several versions of 'The Arthurian cycle', and in much more recent stories, takes the role of Echidna as the mother of many myth monsters, which, far from raising its divine status, rather helps to create greater confusion around the character.



An immortal Sorceress
that we all worship in a certain way.

However, Hecate has this hypnotic power over all of us who read about it, its name carries a huge almost inspiring appeal, and its image is linked to the greatest (and also some of the most important) books of magic and sorcery. In some books she is portrayed as the queen of all witches and wizards, in others, she is a dark goddess of sorcery and magic, in a certain book about transformations she is the main divinity, while in Wicca, it is she who mostly embodies the triple lunar goddess whom witches worship.

Wicca, neo-paganism, some 1899 book entitled "Aradia or The Gospel of the Witches", and its name is mentioned in virtually all television series about witches, wizards, and sorcerers, including the mythical 'Charmed' with Shannen Doherty, Holly Marie Combs, Alyssa Milano, and Rose McGowen, where in one episode they introduce us to 'Hecate, a female demon who plays the role of queen of the underworld', have made our dark goddess a difficult character to ignore in today's metaphysical society.



Hecate now

The Hecate of now is perhaps much more complex and eclectic than the original, Hecate is seen as the Goddess-mother and queen of all the witches, the Immaculate Sorceress, goddess of the dogs and all the creatures of dark fur, the lady of the crows, goddess of cemeteries and crossroads, queen and lady of the night and all her creatures, goddess of keys and doors, as well as of all paths, mother of all seers and psychics, queen of ghosts, and Of course, goddess of magic, divination, and sorcery, obviously not forgetting, lunar goddess, and for some modern cults, the goddess who protects the seas during the night.

In the Wicca it is practically an offense not to meet Hecate, it is almost always the first to be mentioned, you can find entire books full of quite idealized information about her. At one point they make me think… “Is that nobody else works in Olympus ???”, but the truth is that it is interesting how our society has changed positively to such an extent, that one that was once an almost irrelevant goddess for many, not even becoming included in the Olympic gods, where (let's be honest at heart) until Bacchus who was a god of wine and the holidays had a chair, Vesta, the goddess of home and architecture, had a chair, Hera, the goddess of marriage, had a chair, Hermes, the messenger of all the gods, had a chair, literally the UPS service of Olympus had a chair !! And Hecate no!

But now times have changed, minorities have begun to unite with each other, and have formed a huge social group of different ethnicities where now, being part of some minority is practically a fad.



The original Hecate

The original Hecate was represented as a simple goddess, sitting on a throne and wearing a crown of flowers on her head, it was thus represented before, and until two centuries after the invasion of the Persians to Greece, contemporary with the myth of the Titanomaquia, where apparently Hecate herself was present providing assistance to the Olympic gods according to some versions such as Hesiod and Pausanias.

It was not until the end of the 5th century BC. C, when Hecate began to be represented as a triple goddess by (the truth very few) artists and sculptors of the time, mostly holding in his hands a torch, a snake or a key, but always maintaining a warm and thoughtful expression in his face, and many times maintaining her crown of flowers, alluding to her minor role as a goddess of nature or a queen of the woods.

The larger animals were dedicated in sacrifice to other seemingly more important Gods, as well as the libations of milk and honey, while to Hecate, the owners of some establishments left pieces of meat at the crossroads to gain their protection (which enhances its dark and almost demonic aspect), or they sacrificed dogs, which was next to the donkey one of the few animals that were forbidden to serve in the banquets and sacrifices of the greater gods, for these being an offense to the presence of Vesta and Ares, Because of this, Hecate simply receives the remains of meat from banquets and dogs that were too old to be useful in the home.

However, despite all the above, in the myth of Jason and the Argonauts, this hero offers Hecate a libation of honey at night with blood from the throat of a sheep, performs this ritual by a river dressed entirely in a black robe under the guidance of the sorceress and priestess Medea.

The chthonic symbolism of the previous ritual speaks for itself, representing not only a goddess before the best-known Greek civilization but also a sacred ritual to venerate the first gods since man lived in the caves.

In Thrace, around the 5th century, B.C. Hecate was considered a goddess of borders, boundaries, roads, and thresholds, later she would also be revered as a goddess of childbirth and the upbringing of young people, in large part because her priests were eunuchs who must be trained in this labor class It only took two centuries after this to reach the title as "patron" of the city of Estratonicea (now Eskihisar, Turkey) and have a temple in Laguna, where the annual festivities, although they were not the largest if they attracted people from other cities.



The Goddess of Hesiod

It was the Greek poet, Hesiod, who raised Hecate's status to a point where other philosophers and speakers of the time are debated.

Hesiod seemed to be a great devotee of the goddess, whom she revered without hesitation, filled her entire poetry and stories with references to the enormous power of the goddess, and in response to the 'seemingly unknown greatness of the goddess', which only he seemed to know, this was limited to proclaiming that its power “will come as a gift from and a superior origin ”, referring to the fact that Zeus would have given him divinity, absolute control over all the powers of other gods, being the only one capable of filling humanity with all kinds of gifts.



An increasingly uncertain origin

Hesiod turned Hecate into a goddess of the night and a night walk, a queen of the woods and a sorceress, but it was also the same, who under divine inspiration, affirmed the origin of Hecate, making her the daughter of Asteria, the goddess of stars, which would make her be the sister of Leto (the light of day), aunt of Apollo (the sun) and Artemis (the moon), granddaughter of Febe (primal goddess of the moon).

Another later version of this story states that Hecate was a mortal priestess of the goddess Artemis, and her name was Iphigenia, Iphigenia offends the goddess with insults after being requested in sacrifice by Zeus, and being tired of sacrificing outsiders in the temple by order of the goddess, because of this falls into madness and commits suicide. Before the horrendous spectacle, Artemis, wanting not to repeat what Athena did when turning the body raped by Poseidon of her priestess Medusa, into a horrifying beast, the lunar goddess decorates the body of Iphigenia with flowers and jewels and whispers in her ear looking for the elevation of his spirit, then Iphigenia wakes up in the Elysian fields turned into a goddess, then going to be called Hecate, an avenging goddess of wounded women.

An alternative version that explains its origin as a pre-Olympic chthonic goddess, affirms that she is a titan (a primal divinity before the “gods”), daughter of Perses and Asteria, being a powerful helper and protector of the human race whom she always favors. It was the only titan who helped Zeus during the Titanomaquia, which is why she was not banished to the domains of the Underworld after the defeat of the Titans by the Olympic gods.

A more modern myth and after the invasion of Rome, tells us that it would be a virgin priestess who had stolen her mother's carmine pot, immediately fled to a house where a woman was in labor, and helped her to have the baby. Zeus as punishment for leaving the temple and committing a robbery then sent her to the kingdom of Hades to be purified for her actions, once there Hecate enjoyed great authority, as she was known as the queen of the underworld until the arrival of Persephone as a wife of Hades.

From the latter, the Greeks adopted the custom of placing "totems" of Hecate on roads, gates, and roads, because she did not allow ghosts to pass beyond the threshold, the Greeks prayed to this figure as " the queen of ghosts ”and“ goddess of darkness ”, a role she has maintained until our times.



Queen of the witches.

I suppose it is the role that has been won thanks to the efforts of his faithful devotees who have promoted his image throughout the world, Hecate is present on the altars of hundreds of witchcraft and magic practitioners in every corner of the planet, thus becoming one of the most unconditional deities of the pagan pantheon, and one of the most emblematic most divine figures in the society of witches and wizards.



With Love, Light & Blessings always...
Elhoim Leafar.