Showing posts with label The Goddess. Show all posts
Showing posts with label The Goddess. Show all posts

Tuesday, April 7, 2020

The Seated Goddess of Çatalhöyük

One of the faces of the Goddess: The Seated Woman of Çatalhöyük


Today we celebrate the second Super moon of this 2020 cycle, and with it, it is my second full moon since I entered (like many of you) in quarantine, so I have taken this day to reflect on the goddess and her thousands of different faces, a topic that we have already discussed here on the blog, as well as in my books and workshops.

One of the most mystical facets of the goddess is one of her oldest images, this one has always captivated my attention for two reasons.

  1. The first is that this incarnation of the goddess is so old that it remains distant from that modernist vision influenced by the "movement of the goddess" and highly feminist, as those who read me often know, I have nothing against it. Feminism, I simply believe that far from seeking equity, it focuses more on seeking preference, and only "solves" one problem by adding another.
  2. The second reason why I love this embodiment of the divine spirit of the Goddess is that it comes from what would be Turkey today, from the point of view of many historians and anthropologists of religion such as Ignacio Martinez Buenaga, Elif Batuman, Nicholas Birch, among others, this is the place where the first organized religions of humanity emerged.


The Statuette and its Origin.

The figurine called "Seated Woman of Çatalhöyük" is a fired clay statuette depicting a naked woman or mother Goddess, flanked on either side by two leopards or two lionesses, evoking the image and mythology of "The Master of Animals", a very common divine worship in Ancient Egypt.

This image was found in Çatalhöyük, an ancient settlement from the Neolithic and Chalcolithic periods, in Anatolia (present-day Turkey).

For discoverers and historians, this statuette is a symbol of fertility, due to the exaggerated members of the female figure, which is depicted in the process of giving birth while sitting on her throne. The statuette is one of several iconographically similar that have been found at the site.

The figure, barely twenty centimeters tall, is associated with the so-called "Paleolithic Venus", which represent the goddesses of the Upper Paleolithic period, and the female figure who was considered a sacred figure, as the creator of life and home.


Divinity.

During the Paleolithic period, the man did not build temples, he was more focused on protecting himself from wild animals and predators, so his way of venerating nature and its spirits was through small altars and portable statuettes, which he could carry seamlessly from one place to another.

Proof of this is the enormous number of statuettes of Venus that have been found in different sites around the world, these images symbolize their feminine features and exaggerated attributes, the figure of the mother goddess, the giver of life, fertility, and abundance.

Indo-European matriarchal society revered the mother goddess as a primordial essence of nature, while male divinities embodied the primordial hunter, animal tamer, and guardian of mountains and caves. The mother goddess embodied all the fruits and benefits of nature, from the moonlight on cold nights to the sweet waters of the river, the fruits and plants of the forest, and even the herbs that grew in the environment.


Conclusion

The Seated Woman of Çatalhöyük represents one of the oldest figures used by our ancestors to venerate the mother goddess, not only represents motherhood, femininity, and fertility, in the most beautiful of aspects, but also the feminine power that it reigned over a developing society, the feminine wisdom that acts from discretion, and the divine love that has been given to humanity for millennia.


Canalization

Celebrating the full moon of April, May, and June, we will carry out a channeling of this divinity, awakening its spirit from our homes with a joint meditation. Each of the next three full moons will take five minutes to tidy up and clean the place around us.

Burn a little incense and light a candle, close your eyes, visualize that crescent moon inside you that grows, throbs and lights with each slow and deep breath you take.

Visualize this moon growing within you, and once the full moon has manifested, open your eyes slowly, take a deep breath, and recite the following divine mantra three times, out loud and calmly:

“Kutsal tanrıça, uyan ve ışık getir.”

Followed by this, offer a personal prayer upon awakening from the goddess, invite her to wake up, walk to your home, invite her to come and fill the place with blessings, as well as all the beings who live there. And leave the light on for the rest of the night.


BLESSED BE.

 Copyright © 2015 by Elhoim Leafar De Jesus
ALL RIGHTS RESERVED.


Wednesday, March 25, 2020

Healing with the Mother Goddess + Natural recipes for you.

A POST FOR TIMES OF ADVERSITY


Healing with the Mother Goddess/Mother Earth
+ Energy visualization exercise
+ Recipes to boost your immune system.


Greetings and Hugs to all the readers who walk around here. You will have noticed that our world is changing and facing these complex times of adversity, it is a time when we depend more on ourselves and on our own effort than on the efforts of governments and political leaders, the power to overcome this adversity is not in their hands, but in our own hands.

In times of adversity, faith, hope, and work in unity are our first allies, that is why we must focus our efforts on it during these times. Because without faith in what we do, without hope in what we can achieve and without the valuable power of teamwork, it is quite difficult to achieve our goals, especially when they are aimed at something that goes beyond us.

I am not going to take sides here criticizing the actions of any individual, each one decides how to take care of himself and in what way to do it, if you believe that the best thing is isolation and nothing else, good for you, if you believe that filling your bed with Crystals is the best for you, good for you, if you consider that the healthiest thing is to go outside with great care not to touch anything, good for you, if you consider that exercising in the sun is the best for you, Good for you, I am not a doctor or specialist to criticize anyone.

I'm just going to leave you here a couple of tips that I personally think you could apply to your personal care routine, and from my heart, I hope they are useful to you.


Faith in the Goddess and the old religion.


Faith in the Goddess is not something new as many believe, the old Indo-European cults believed in a matriarchal society where the woman (the life-giver) was the incarnation of the Mother Goddess in our world, but the reconstruction of the goddess in our Times, thanks to Wicca and Neo-paganism, has helped a lot to promote their cult in the current times.

While the male God is more associated with wild animals, the sun and daylight, hunting and the impulse that creates life (as well as sperm), the Mother Goddess, or Moon Goddess, is linked to plants. and the depth of the forests, the moon and the cold nights, the movement, the evolution and the change that occurs in everything that has been created, as well as the ovule that ends up transforming its interior to give life to a new being.

The Goddess is the healer par excellence, and while the father God (through the sun) nourishes the plants and herbs that we use for our medicines, it is the mother Goddess who teaches us the process of healing and use through these plants.

Except for its association with the moon, perhaps more modern thanks to Wicca, the mother goddess has always been more associated with the earth, the rivers, the mountains, while the god has been associated in Amerindian and European cults with the sky, the sun, and the stars as if in some way the God were the human body, the Goddess would be the precious heart that beats in its center and on which everything depends.

That is why at this time I share a ritual (not complicated) to channel the healing energy of the Goddess and her blessings, below, I share with you two tips that I like to do at home to boost the immune system.


Healing Ritual with the Mother / Mother Earth Goddess


You need

  • A white candle (purification)
  • A red candle (activation and strength)
  • A Green Candle (Healing and Earth Energy)
  • Peppermint, peppermint or basil incense
  • A bowl half full with a mixture of clean soil and a little salt
  • A glass with water
  • Rose petals


Process

In daylight hours (after sunrise and before sunset), clean and organize a space to carry out this ritual.

Close your eyes, breathe deeply and slowly several times feeling that you are connecting with something greater than you, a force greater than you, a force older and wiser than you. Now with your mind's eye visualize a halo of white light that is externalized through your skin, from the feet this halo of light is externalized through your skin and rises throughout your body to your head.

Once this halo of light has completely covered your body, take one more deep breath, inhale slowly, hold the air inside you for a few seconds, and now slowly open your eyes, as you do so, exhale that air from within you, and Visualize that halo of white light that has entirely covered you, expanding around you and covering all the space around you, now give this light shape, and visualize all this light forming a circle around you.

Visualize that this circle revolves around you forming a sacred, pure and protected space, this is your protected space, where you are healthy, safe and protected against all evil and against all adversity.

Now, without ceasing to visualize the halo of light, sit on the ground, spread the rose petals around you to symbolize nature, light the incense and the candles in front of you reciting:

“With each light that I light, a part of me heals, something in my environment heals, someone in my environment heals”.

Moisten your fingers with the water and proceed to spray it with your fingers around reciting:

"With each drop of water and each particle of light, I consecrate this space as a protected space and a sacred space."

Now pick up the earth and salt with your hands and use it to cover your hands and feet very carefully, reciting:
“With every gram of earth, I connect with it, with every gram of clean salt my connection with it, with every gram in I connect my hands and feet with it”.

Now close your eyes again, take a deep breath and recite:
"This sacred space is protected and blessed, because a part of the goddess dwells in it, a part of this space is mother, and that mother in this space is mother earth who takes care of me and protects me from the inside out ”.

Open your eyes, stand up, visualize the halo of energy coming back to you, coming back to you, integrating back to you, this sacred and healing energy returns to your interior, and now the healing power of mother earth resides in you, such and as it always has.

Let the candles and incense burn to the end, and then sweep the entire ritual east-west. Properly clean the space, and repeat this ritual whenever you want.


For your Immune system in times of crisis.

(Or for every day)

These are two fairly simple recipes that many perhaps know, the problem is that many know them but few put them into practice, I always recommend this to my readers because it is a very common recipe in my native country, and honestly, I think you do too. You should, and not just rely on powdered vitamins and pills.


Recipe #1

Fill a jar with drinking water, wash with cold water, and cut equal parts pineapple, cucumber, and ginger, add two sliced lemons, add all of this to the jug with water, and place in the fridge for about an hour.

You can drink it continuously as an accompaniment to meals and in the middle of the day.


Recipe #2

Boil water and brew three cups of green tea (unsweetened), add this to a large pitcher, and add slices of lemon, orange, and ginger, two tablespoons of honey (preferably organic), and top off the rest of the pitcher with hot water Mix well with a wooden spoon and store in the fridge.

Two glasses of this mixture a day will do wonders for your immune system.



So be it, Elhoim Leafar.
© All rights reserved.


Friday, November 8, 2019

Goddess Hecate


That Goddess Hecate,
before and after the
Queen Mother of all the Witches.



In a world of gods and social media,
who makes the most noise is the King... Or the Queen?


I have nothing, absolutely nothing against Hecate as a divinity worshiped by thousands (I begin to believe that thanks to social networks, perhaps millions), but as I am popular for saying what I think, and for writing it too, although they may be opinions Unpopular, I have no fear in writing something that many are thinking but refuse to share for fear of being almost exiled permanently from the metaphysical community.


Hecate, she's the bad girl in the class.

It is popular among men and women, its ambiguity, its triple character (and all of them quite dark in turn), its immense titles (which apparently has much more now than in ancient Greece itself), especially (and I repeat) this triple character as a dark goddess, lunar and infernal goddess, is clearly the bad girl in the classroom that everyone wants to be friends with, but yes, many forget that the bad girl in the class is not always as evil as she seems, and often ends up being another girl who doesn't feel pretty enough to be part of the cheerleading club, or smart enough to join the chess club, she feels ashamed, enough to refuse to enter the comedy club or of singing, and simply prefer to put on makeup, be the bulling of the school, and popularize among (obviously) the least popular, minorities, and all those who for one reason or another have felt discriminated against by society, you Does this sound familiar?

Yes, the description fits like a ring to the finger, and I have absolutely nothing against the goddess, quite the contrary, it is one of the deities that my favoritism has, perhaps it is because I began to adore her from a very young age when I read about her for the first time in an esoteric magazine in my native Venezuela (Ronda Magazine, March edition 1999), so after a while, it is natural that I don't think it's “the fashion wave”, I think that in a certain way I understood it after working so much with it, and with some coven of "Wiccan inspiration", so growing and learning more, it simply became a divine source in my little and very eclectic pantheon.


The Hecate of my youth

The first time I read about Hecate in that magazine, they mention her as “the Greek goddess of sorcery and the arcane, queen of the night and the witches”, accompanied by a couple of illustrations of her sculptures, and an extensive article on the popularity of this legendary goddess in the growing groups of modern witches of a city (by then entirely unknown to me) of San Francisco in the USA.

After having read the article a couple of times, so as a couple of rituals that accompanied him (one to get back at a lover and another to protect the home), I was quick to find information about Hecate in encyclopedias and dictionaries, I remember having memorized that Pope's illustrated dictionary said "Hecate: Greek goddess of sorcery, triple character, lunar, marine and infernal", while only vaguely mentioned in a couple of books of 'White Magic' and 'Wicca' of those that Mama keeps in her personal library next to the kitchen.

An encyclopedic book of Greek myths, gods and monsters, claimed that she was a wild goddess of Egyptian origin who would later have been worshiped by the Greeks and that her cult would have been transformed into something increasingly large. On the other hand, a couple of family members (Andres and Mary), both historians who had lived several years in Greece, seeing my fascination about the subject when I asked them about it, they only told me:

“The truth is, she had a cult in its time, but it was not as big as the books claim, it would have one or another temple, but at that time people were more focused on worshiping the gods of grain and commerce, or of vegetation and war, because they were subjects from day to day, homosexuality was not persecuted, rather it was quite acceptable, so a goddess like her would not really be revered by any minority who felt despised, and the priestesses more revered the cult of Aphrodite, Hera or Hestia, who they had more to do with the society of that time, if you compare it with the new times, Hecate was the equivalent to some local Santa of some church, if, of course, with many attributes, but in those times of war, where civilization was booming, it would not be as relevant, more than for some travelers who prayed at the crossroads to prevent danger, although most of these travelers were merchants, and they chose to pray to Hermes (god of travelers and commerce) or Athena (which had several temples and statues at the entrances of the most important cities).”

After that explanation I will not deny that I felt somewhat disappointed, although he insisted on keeping a couple of drawings that I made of her next to my altar (Gods! If that altar spoke! What would I not say?), This experience, or a very similar one it was repeated years later when I managed to read Hesiod's "Theogony", and the 1985 book written by Burkert, W. "Greek religion: archaic and classical", because while most of the magic and sorcery books of the moment insist in making Hecate looks like a kind of 'Saint patron of the mystical arts and sorcery, indomitable queen of the night and mother of all witches, and owner of dozens of attributes', the books of Greek history and paleontology, especially those written by well-qualified Greek authors and academics, they deny most of these attributes and explain it in quite interesting ways.

But it was my professor of 'psychology of marketing', Jonathan Alejandro Goncalves, during my third semester of marketing and advertising at the University, who once asked me about it for the realization of an essay (maybe later I tell you how this discussion arose because it is a much longer story), and finally, he concluded that the cult of Hecate was growing "at all mysterious" at this time and that it was something of common sense very easy to understand, she represented minorities, these minorities that for the Greeks were not important, minorities that today are news daily thanks to newspapers and social networks, but at that time, she was just one goddess outside the twelve Olympians, and today, many teenagers who feel "Out of place" or "not socially accepted" identify with it.

My conclusion in writing in that essay on ‘the evolution of marketing around certain religious figures’ was:


"While all other female deities represented the goods and pleasures idealized by Greek society, Aphrodite symbolizes love and beauty, femininity and acceptance of carnal pleasures, Athena symbolizes wisdom, the firmness of civilization, philosophy, understanding, and reasoning, Hera represented the complete and complete woman, lover, wife, and mother, also a queen of the heavens, and Vesta symbolized that wise, discreet, virginal woman who took care of the home and society, Hecate was On the contrary, it was not even Greek, it was a foreign deity that was passing through, a goddess who crossed the deserts and represented all that which the Greeks feared, such as contempt and social disrepute.

Hecate was a goddess who hid in the night, her temples had no signs with directions (unlike everyone else), her sacrifices were important, but they never became more important than those of Bacchus, the god of wine, or Ares, the god of war, his temples do not even have a decent decoration, only women who did not marry and were not virgins (so they could not be vestal virgins) will seek worship in it, as they were outside the socially accepted stereotype in the time, they were like Hecate, a minority woman to whom other gods refused to invite the festivities, she was not married, nor had children, but worse, unlike Athena, Vesta and Artemis, there was no great myth behind her virginity, she simply had no lovers, any poet could add that her lover was the night, or that she did not find pleasure in men, but for Greek society, where sensuality was as relevant as the art and philosophy, this would not be seen as something healthy, and it is quite strange coming from such an extravagant figure. ”


If you analyze it carefully, it represented not only the immigrant who arrives to conquer others with his hypnotic talents but also, was a sorceress, which would not be well seen by the priests and priestesses of other better-known deities, however, they existed a couple of myths that sought to enhance her divine image, such as the fact that she had taken care of Zeus in a cave when she was a child hiding from her father, and in that tradition where she is the mother of the witches Medea and Circe.

After this, Hecate served as a character in several heroic tales of the time, always represented as goddess of sorcery, from the middle ages she is seen as "mother of all the great witches and magicians", especially in several versions of 'The Arthurian cycle', and in much more recent stories, takes the role of Echidna as the mother of many myth monsters, which, far from raising its divine status, rather helps to create greater confusion around the character.



An immortal Sorceress
that we all worship in a certain way.

However, Hecate has this hypnotic power over all of us who read about it, its name carries a huge almost inspiring appeal, and its image is linked to the greatest (and also some of the most important) books of magic and sorcery. In some books she is portrayed as the queen of all witches and wizards, in others, she is a dark goddess of sorcery and magic, in a certain book about transformations she is the main divinity, while in Wicca, it is she who mostly embodies the triple lunar goddess whom witches worship.

Wicca, neo-paganism, some 1899 book entitled "Aradia or The Gospel of the Witches", and its name is mentioned in virtually all television series about witches, wizards, and sorcerers, including the mythical 'Charmed' with Shannen Doherty, Holly Marie Combs, Alyssa Milano, and Rose McGowen, where in one episode they introduce us to 'Hecate, a female demon who plays the role of queen of the underworld', have made our dark goddess a difficult character to ignore in today's metaphysical society.



Hecate now

The Hecate of now is perhaps much more complex and eclectic than the original, Hecate is seen as the Goddess-mother and queen of all the witches, the Immaculate Sorceress, goddess of the dogs and all the creatures of dark fur, the lady of the crows, goddess of cemeteries and crossroads, queen and lady of the night and all her creatures, goddess of keys and doors, as well as of all paths, mother of all seers and psychics, queen of ghosts, and Of course, goddess of magic, divination, and sorcery, obviously not forgetting, lunar goddess, and for some modern cults, the goddess who protects the seas during the night.

In the Wicca it is practically an offense not to meet Hecate, it is almost always the first to be mentioned, you can find entire books full of quite idealized information about her. At one point they make me think… “Is that nobody else works in Olympus ???”, but the truth is that it is interesting how our society has changed positively to such an extent, that one that was once an almost irrelevant goddess for many, not even becoming included in the Olympic gods, where (let's be honest at heart) until Bacchus who was a god of wine and the holidays had a chair, Vesta, the goddess of home and architecture, had a chair, Hera, the goddess of marriage, had a chair, Hermes, the messenger of all the gods, had a chair, literally the UPS service of Olympus had a chair !! And Hecate no!

But now times have changed, minorities have begun to unite with each other, and have formed a huge social group of different ethnicities where now, being part of some minority is practically a fad.



The original Hecate

The original Hecate was represented as a simple goddess, sitting on a throne and wearing a crown of flowers on her head, it was thus represented before, and until two centuries after the invasion of the Persians to Greece, contemporary with the myth of the Titanomaquia, where apparently Hecate herself was present providing assistance to the Olympic gods according to some versions such as Hesiod and Pausanias.

It was not until the end of the 5th century BC. C, when Hecate began to be represented as a triple goddess by (the truth very few) artists and sculptors of the time, mostly holding in his hands a torch, a snake or a key, but always maintaining a warm and thoughtful expression in his face, and many times maintaining her crown of flowers, alluding to her minor role as a goddess of nature or a queen of the woods.

The larger animals were dedicated in sacrifice to other seemingly more important Gods, as well as the libations of milk and honey, while to Hecate, the owners of some establishments left pieces of meat at the crossroads to gain their protection (which enhances its dark and almost demonic aspect), or they sacrificed dogs, which was next to the donkey one of the few animals that were forbidden to serve in the banquets and sacrifices of the greater gods, for these being an offense to the presence of Vesta and Ares, Because of this, Hecate simply receives the remains of meat from banquets and dogs that were too old to be useful in the home.

However, despite all the above, in the myth of Jason and the Argonauts, this hero offers Hecate a libation of honey at night with blood from the throat of a sheep, performs this ritual by a river dressed entirely in a black robe under the guidance of the sorceress and priestess Medea.

The chthonic symbolism of the previous ritual speaks for itself, representing not only a goddess before the best-known Greek civilization but also a sacred ritual to venerate the first gods since man lived in the caves.

In Thrace, around the 5th century, B.C. Hecate was considered a goddess of borders, boundaries, roads, and thresholds, later she would also be revered as a goddess of childbirth and the upbringing of young people, in large part because her priests were eunuchs who must be trained in this labor class It only took two centuries after this to reach the title as "patron" of the city of Estratonicea (now Eskihisar, Turkey) and have a temple in Laguna, where the annual festivities, although they were not the largest if they attracted people from other cities.



The Goddess of Hesiod

It was the Greek poet, Hesiod, who raised Hecate's status to a point where other philosophers and speakers of the time are debated.

Hesiod seemed to be a great devotee of the goddess, whom she revered without hesitation, filled her entire poetry and stories with references to the enormous power of the goddess, and in response to the 'seemingly unknown greatness of the goddess', which only he seemed to know, this was limited to proclaiming that its power “will come as a gift from and a superior origin ”, referring to the fact that Zeus would have given him divinity, absolute control over all the powers of other gods, being the only one capable of filling humanity with all kinds of gifts.



An increasingly uncertain origin

Hesiod turned Hecate into a goddess of the night and a night walk, a queen of the woods and a sorceress, but it was also the same, who under divine inspiration, affirmed the origin of Hecate, making her the daughter of Asteria, the goddess of stars, which would make her be the sister of Leto (the light of day), aunt of Apollo (the sun) and Artemis (the moon), granddaughter of Febe (primal goddess of the moon).

Another later version of this story states that Hecate was a mortal priestess of the goddess Artemis, and her name was Iphigenia, Iphigenia offends the goddess with insults after being requested in sacrifice by Zeus, and being tired of sacrificing outsiders in the temple by order of the goddess, because of this falls into madness and commits suicide. Before the horrendous spectacle, Artemis, wanting not to repeat what Athena did when turning the body raped by Poseidon of her priestess Medusa, into a horrifying beast, the lunar goddess decorates the body of Iphigenia with flowers and jewels and whispers in her ear looking for the elevation of his spirit, then Iphigenia wakes up in the Elysian fields turned into a goddess, then going to be called Hecate, an avenging goddess of wounded women.

An alternative version that explains its origin as a pre-Olympic chthonic goddess, affirms that she is a titan (a primal divinity before the “gods”), daughter of Perses and Asteria, being a powerful helper and protector of the human race whom she always favors. It was the only titan who helped Zeus during the Titanomaquia, which is why she was not banished to the domains of the Underworld after the defeat of the Titans by the Olympic gods.

A more modern myth and after the invasion of Rome, tells us that it would be a virgin priestess who had stolen her mother's carmine pot, immediately fled to a house where a woman was in labor, and helped her to have the baby. Zeus as punishment for leaving the temple and committing a robbery then sent her to the kingdom of Hades to be purified for her actions, once there Hecate enjoyed great authority, as she was known as the queen of the underworld until the arrival of Persephone as a wife of Hades.

From the latter, the Greeks adopted the custom of placing "totems" of Hecate on roads, gates, and roads, because she did not allow ghosts to pass beyond the threshold, the Greeks prayed to this figure as " the queen of ghosts ”and“ goddess of darkness ”, a role she has maintained until our times.



Queen of the witches.

I suppose it is the role that has been won thanks to the efforts of his faithful devotees who have promoted his image throughout the world, Hecate is present on the altars of hundreds of witchcraft and magic practitioners in every corner of the planet, thus becoming one of the most unconditional deities of the pagan pantheon, and one of the most emblematic most divine figures in the society of witches and wizards.



With Love, Light & Blessings always...
Elhoim Leafar.


Tuesday, December 5, 2017

#TheGoddess Reminiscing Whom we cannot forget.

About the Goddess: Reminiscing Whom we cannot forget.


They were times beyond the memory of man, immemorial times beyond our earliest ancestors when the first gods walked on the face of a land uninhabited and silent. Lurking through the dark corners of the newly carved mountains one by one by the hand of their own  creators, the gods still descended in energy form to this plane (which we now call ours) and with their delicate touch, they modeled the prairies and the Valleys, rivers and mountains that we have now conquered.

One of these complex forms of energy and wisdom as ancient as the moon, She decided to bring with Her two gifts for a new breed of mammals destined to conquer this tiny blue planet in the midst of all divine creation. The gift of fertility and the knowledge of agriculture were two exquisite gifts that made thousands of years ago, a complex and primitive species in which is currently the predominant race of the planet.

For millennia, man has sought in each corner of the planet an explanation for his origin, his evolution, and his own existence. This search has only generated more questions than answers, but among such a complex history, this ancestral entity that was always on our side has left permanent traces of Her existence in each of these prehistoric corners, either in the form of colorful drawings or anthropomorphic statues of the most complex materials for each era in which they were crafted.

Because man has not lost his characteristic fear of all that is different, the ancestral entities in their divine wisdom began to appear before us under less complex forms and before our own eyes, increasingly familiar forms, allowing us also to immortalize them and honor them in figures who have looked more human on each occasion.

One of these entities, who has always bet on humanity as a race, is perhaps also responsible for polishing the solar reflection each night to give humanity the characteristic unusual brightness of the moon, through which we see only a very small part of the gigantic work that this entity has done for us.

This same entity, which has been characterized throughout the millennia for Her loyalty and unshakeable faith towards the human race, is responsible for showing man the functioning of processes linked to fertility and agriculture. At the same time, man, from his earliest age, began to question himself about the capacity and existence of a superior being capable of carrying out all this series of "natural events", trying to understand it and even to represent it under the form of a female ‘Mother’, because only an entity with a woman's soul would be able to mold a world full of fertile life and wild beauty.

In all these early representations of that entity, they did show off Her voluptuous forms, similar in every aspect to the forms of adult women and mountains, trails and meadows created by the mystical art of this being ancient, once they got to represent them. They attributed to Her all the occult powers of the earth, medicine, food, and even earthquakes would be only a part of its divine attributes.

In later periods the man in his arrogance to attribute to each thing a name to be able to have power over him, believing that he could understand them, began to call this mysterious entity as the Mother Goddess, Earth Goddess, or Mother Nature. Seeing this entity as an ancestor of the (somewhat smaller) gods that will later appear in various religions of the old and the new continent.

For an entire millennium, humanity attributed to other ancestral gods the characteristics of men, attributed to them ever more human names and personalities, but the Goddess, continued to be one of the earliest and most misunderstood, continued for a long time as "The Mother Goddess", and many later deities came to take some of Her attributes without ever being able to completely replace her.

After some periods of great intellectual, technological and industrial advancement for the human race, the gods in some way and for different reasons kept swimming in the fine crossing between the sea of oblivion and the coasts of myth. The vital flame of the goddess began to be revived again by intellectuals and devotees who brought Her worship back to our times. Suddenly for many everything began to regain the sense, legends, myths, the magical origins of man, the woman's bond with the moon and the earth, everything took a 360-degree turn and we realized that the answers were always there, what was left over were the questions.

These beings, older than humanity itself, these extraordinary immortal creatures whose wisdom transcends our understanding, entrusted us with the care of this planet, bet everything for us, but it was Her, the Mother Goddess, who dedicated herself always to our care, to our development and evolution, to push us, to take care of ourselves and to teach us, just as a mother does. Is She who fed us, healed us every time we were hurt, embraced us each cold night and restored our faith every time we felt down or depressed.

She was the mother goddess, the one that has a thousand faces and a thousand names, who trusted us from the beginning of time and who left us represent Her in as many ways as possible, statuettes of clay and bronze, in cave paintings at the back of an old cave, in the incomprehensible smile of some painting or in every Arthurian myth in the form of a fairy or a forest spirit that appears to help the knight in his mission.

There remain names as there are questions around them, many of these names devised by the same man and others whispered by themselves in the ears of their believers. Many of these questions do not have to be answered, others are simply not the right questions, but the fact is that the Goddess has always been there, and in every period of humanity, She has become present in some way, incarnated Herself under different faces and facets to illuminate with her presence every relevant fact of history, turn the ship's helm in the right direction or give birth to a new teacher for the human race.

Yoruba priests from Africa consider Yemaya, goddess of the sea and sea surfaces, as the primordial Mother Goddess who bore humanity and all the orishas of Her womb. According to her folklore, she was the primeval ocean and the whole Life on earth emerged from her belly of light. For many scholars on the subject, Yemaya established the life cycle of man and most mammals, which is why we would not be born of eggs, but rather bursting the womb and emerging in a sea of vital water. This perhaps would explain intentionally the reason man feels so comfortable swimming and diving in the cold ocean or in a small bathtub. Being surrounded by a body of water not only gives us a full relaxation experience, but also reminds us unconsciously to our own existence within the womb of the mother goddess, wrapped in a sea of light and spirit.

We can say that in a certain way we have also molded the Goddess to our form, we have given Her the skin color, the shape and personality characteristic of every nation in the world, and it has not been the reverse, but surely if the camels could represent their gods in some way, they are also likely to represent them as camels, and not as men, and after some time, the gods would appear before them in this same way to give them security and confidence.

Perhaps the representation we give to the Goddess is completely meaningless, perhaps it is an arrogant act of ourselves trying to understand Her, perhaps, on the contrary, it is an act of humility on our part, trying to represent Her in the form of the most intelligent creature we know.  Perhaps this is its true form and somehow we have kept it in a subconscious memory that has been stored for generations in our genetics, or perhaps this is the form that the Goddess really had at some point in a previous life, coming from an earlier race perhaps in an earlier plane. I suppose all options are valid.




The only thing we can be sure of, as the archaeological evidence has shown, is that the worship of the Goddess is not something new, much less modern, on the contrary, it is one of the oldest cults in the dawn of humanity.

© Elhoim Leafar 2017


Monday, June 19, 2017

Goddesses of our day, Inanna.


Goddesses of our day, Inanna.

According to the myth, Inanna was the most beautiful queen of the sky among the ancient Sumerians, always dressed in the finest silks and wearing a crown of stars on her head. Inanna became obsessed with meeting with his twin sister Ereshkigal, lady of the underworld and to be able to meet her went down to their dark realms since according to this she Inanna, was also in love with her sister's husband.

For the long-awaited meeting, Inanna asked her maid Ninshubur to dress her in her best galas and her most beautiful jewels, and to take her place in her absence, when Inanna arrived in her sister's kingdom to be able to enter, she was asked to go through seven tests Or portals, and leave in each of them some of her clothes, she, the goddess of fertility and love, came naked in front of her fearsome sister.

In the first door was stripped of his radiant and beautiful crown of stars, in the second lost his beautiful lapis lazuli, in the third lost his double collar and in the fourth was his medallion, in the fifth took his bracelet in the sixth He lost his scepter to measure, And in the last his royal garments.
Ereshkigal beat his sister to death, wanted her to know what it is to feel rejected as she had been all her life, after killing her kept her body hanging from a hook, until Inanna came back to life, And so this Form could experience the mysteries of life, pain, and death.



Ninshubur, after three days of Inanna's absence. And after having turned to his grandfather and his father, he sought Enki, his other grandfather who mourned the death of his granddaughter, and asked for his help; To rescue, The corpse of his granddaughter Enki created two instinctive and asexual creatures a Kurgarra and a galatur, And sent them to appear before Ereshkigal and reclaim the corpse of his granddaughter, one of those creatures sprinkled on the body the water of life And the other poured over him fed life so that Inanna could thus resurrect, but before returning from the underworld, he must have sought someone to take his place. Refusing to sacrifice Ninshubur or any of her children, she chose not painlessly to turn over her own husband Dumuzi, who had earlier asked her to divorce her and whose attitude had somehow contributed to the heroine's journey into the underworld.

Geshtinanna, the sister of Dumusi, offered to share her fate by agreeing that each of them, spend half of the year in the underworld, so Dumusi could return to fertilize the land.
For the ancient Babylonians, Inanna, she was called by the name of Ishtar, venerated as the goddess of sex and passion and represented as a beautiful woman escorted by a pair of lions whose symbol was the star and its sacred number 15.

In Sumerian mythology, Inanna was the goddess of love, war, and protector of the city of Uruk. With the arrival of Akkadians, Inanna is syncretized with the goddess Ishtar. Its representation was a bundle of vertical reeds with the curved upper part.

Associated with the planet Venus, it is identified with the Greek goddess Aphrodite and with the Astarté Phoenician. Among the Akkadians was known as Ishtar. According to Sumerian mythology, she was the daughter of Nannar (Sin in Akkadian, moon god) and Ningal (the Great Lady, the moon) and twin sister of Utu, known in Akkadian as Shamash. His consort was Dumuzi (demigod and hero of Uruk). Ishtar or Inanna represents the archetype of the Mother Goddess.

It had 7 temples, to which another eight can be added, although the major one was in Uruk (Eanna, dedicated to her and Anu).

Uruk had its celebrations several of sexual and violent character. Fragments of the Babylonian poem are preserved to Erra, in which the attitude of a king of Uruk, who does not treat with sufficient kindness to the prostitutes and courtesans to the happy boys who changed their masculinity by Femininity as well as the carriers of daggers, knives, blades and flint, since these, by their acts, please the heart of Ishtar. It seems that the fact that the young people slept in their beds was a matter of concern and copulation in the streets was a common practice. The role of prostitution is unclear and its possible ritual function has been discussed.



Denigrated in the Old Testament as the great prostitute of Babylon, she was the goddess of the ancient sexual mystery who was worshiped as the source of all life and embodiment of the power of Nature.

"She is the giver of abundance, the judge, the legislator, the goddess of time, as well as love and war" Her name means giver of light and derives from her role as queen of heaven she is the planet Venus as the star of the morning and sunset and his belt is the wheel of the zodiac? Descended into the underworld and restored the god of vegetation Tammuz and reviving it, Restored fertility on earth she represents feminine creative and attitude of strength.

Inanna through her journey to the underworld takes us on a spiritual pilgrimage a descent to the caves of the subconscious where hidden that part, unknown to us, invites us to recognize that shadow that dark part of our soul, and teaches us that each Travel to that part brings us back to rebirth, always richer in wisdom and experiences, teaches us that many times we must get rid of the ego, to meet the mysteries of life and death.

Inanna's journey to the Hells

The myth of the descent of the goddess Inanna (in Sumerian) or Ishtar (in Akkadian) to Irkalla or Erkalla (the underworld), constitutes one of the main Mesopotamian literary cycles and is known under several names, emphasizing those of Inanna's trip to the Hells and Inanna's Travel to the Country without Return. There are different poems about this myth, the first of which appeared in Sumerian times, and also have found paleobabilónicos examples. The poems, except for one Akkadian dating to the fourteenth century a. C. is written in Sumerian.

In Mesopotamian tradition, autumn and winter are times when the earth regains its strength and purity as opposed to spring and summer, times of flowering and fertility. In Sumer, this epoch (autumn and winter) was used for the same religious purpose, to regain strength and improve internally. Irkalla (land of no return) is the place to which impurities, bad habits, memories that are lost and the dead go. Death is a state of purification and improvement that leads to a new life.

In that context tells the Sumerian mythology that Inanna decided to go down to the underworld to face her sister and opposite deity, Ereshkigal. In the struggle Inanna dies, after which no being on Earth had a desire to mate: neither man nor animal. Before this, Enki creates to creatures without genre that deceive to Ereshkigal obtaining to him the corpse of the Goddess to whom they apply the "water of the life". Thus Inanna revives but has to find a substitute that takes its place in the underworld. On returning to Earth he finds that Dumuzi has occupied his post, so it is he whom he sends to the underworld.1

As a result, Dumuzi reigns during the fall and winter, while Inanna during spring and summer.

The fragments of poems give rise to interpretations. The story tells the arrival to Erkalla of Inanna on the occasion of the death of her husband Dumuzi. However, the Acadia version suggests that Inanna, hating him, gave it to the demons. The poem counts also the assault to the hell, governed by Ereshkigal, of Nergal, aided by Ea, and ends with the marriage and reconciliation of both.